Monday, December 12, 2011

More Hi-Contrast Shading





The key to this is to ignore mid-tones -- ignore details that you see within the middle gray shading, make shadows into shapes and look for directional lines and shapes that support the rest of the form or your composition. I don't exactly squint when I do this but I don't stare straight at it and try to render an exact representation. Stabilo pen 88 .4mm for the fine lines and Stabilo pen 68 for the shading above, ballpoint pen and a Stabilo pen 68 below.

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